SteveSS
Well-Known Member
- Local time
- 7:50 AM
- Joined
- May 28, 2013
- Messages
- 4,941
- Reaction score
- 7,579
- Location
- Colorado Springs
I just chose Chargers arbitrarily. Choose whatever B Body you wanted. You entered the year's most respected car show in the world. The Ridler, Sema or Pebble Beach. Your car wins Best of Show! Hurray! But It's not so great because the rules stated that 30% of the cars entered had to be 2nd Gen Chargers. Not quite as great now.
I know we are getting tired of the "Slap heard 'round the world" from the Oscars but did you know about the rule changes and the upcoming rule changes.
You don't have to read the whole thing to get the idea. It doesn't make the awards seem so special when they come from an unequal playing field.
Yes, I despise the Oscars and have for 20 years.
A1. Lead or significant supporting actors
At least one of the lead actors or significant supporting actors is from an underrepresented racial or ethnic group.
A2. General ensemble cast
At least 30% of all actors in secondary and more minor roles are from at least two of the following underrepresented groups:
A3. Main storyline/subject matter
The main storyline(s), theme or narrative of the film is centered on an underrepresented group(s).
STANDARD B: CREATIVE LEADERSHIP AND PROJECT TEAM
To achieve Standard B, the film must meet ONE of the criteria below:
B1. Creative leadership and department heads
At least two of the following creative leadership positions and department heads—Casting Director, Cinematographer, Composer, Costume Designer, Director, Editor, Hairstylist, Makeup Artist, Producer, Production Designer, Set Decorator, Sound, VFX Supervisor, Writer—are from the following underrepresented groups:
At least one of those positions must belong to the following underrepresented racial or ethnic group:
B2. Other key roles
At least six other crew/team and technical positions (excluding Production Assistants) are from an underrepresented racial or ethnic group. These positions include but are not limited to First AD, Gaffer, Script Supervisor, etc.
B3. Overall crew composition
At least 30% of the film’s crew is from the following underrepresented groups:
To achieve Standard C, the film must meet BOTH criteria below:
C1. Paid apprenticeship and internship opportunities
The film’s distribution or financing company has paid apprenticeships or internships that are from the following underrepresented groups and satisfy the criteria below:
The major studios/distributors are required to have substantive, ongoing paid apprenticeships/internships inclusive of underrepresented groups (must also include racial or ethnic groups) in most of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing, and publicity.
The mini-major or independent studios/distributors must have a minimum of two apprentices/interns from the above-underrepresented groups (at least one from an underrepresented racial or ethnic group) in at least one of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing, and publicity.
C2. Training opportunities and skills development (crew)
The film’s production, distribution and/or financing company offers training and/or work opportunities for below-the-line skill development to people from the following underrepresented groups:
STANDARD D: AUDIENCE DEVELOPMENT
To achieve Standard D, the film must meet the criterion below:
D1. Representation in marketing, publicity, and distribution
The studio and/or film company has multiple in-house senior executives from among the following underrepresented groups (must include individuals from underrepresented racial or ethnic groups) on their marketing, publicity, and/or distribution teams.
All categories other than Best Picture will be held to their current eligibility requirements. Films in the specialty feature categories (Animated Feature Film, Documentary Feature, International Feature Film) submitted for Best Picture/General Entry consideration will be addressed separately.
I know we are getting tired of the "Slap heard 'round the world" from the Oscars but did you know about the rule changes and the upcoming rule changes.
You don't have to read the whole thing to get the idea. It doesn't make the awards seem so special when they come from an unequal playing field.
Yes, I despise the Oscars and have for 20 years.
A1. Lead or significant supporting actors
At least one of the lead actors or significant supporting actors is from an underrepresented racial or ethnic group.
- Asian
- Hispanic/Latinx
- Black/African American
- Indigenous/Native American/Alaskan Native
- Middle Eastern/North African
- Native Hawaiian or other Pacific Islander
- Other underrepresented race or ethnicity
A2. General ensemble cast
At least 30% of all actors in secondary and more minor roles are from at least two of the following underrepresented groups:
- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
A3. Main storyline/subject matter
The main storyline(s), theme or narrative of the film is centered on an underrepresented group(s).
- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
STANDARD B: CREATIVE LEADERSHIP AND PROJECT TEAM
To achieve Standard B, the film must meet ONE of the criteria below:
B1. Creative leadership and department heads
At least two of the following creative leadership positions and department heads—Casting Director, Cinematographer, Composer, Costume Designer, Director, Editor, Hairstylist, Makeup Artist, Producer, Production Designer, Set Decorator, Sound, VFX Supervisor, Writer—are from the following underrepresented groups:
- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
At least one of those positions must belong to the following underrepresented racial or ethnic group:
- Asian
- Hispanic/Latinx
- Black/African American
- Indigenous/Native American/Alaskan Native
- Middle Eastern/North African
- Native Hawaiian or other Pacific Islander
- Other underrepresented race or ethnicity
B2. Other key roles
At least six other crew/team and technical positions (excluding Production Assistants) are from an underrepresented racial or ethnic group. These positions include but are not limited to First AD, Gaffer, Script Supervisor, etc.
B3. Overall crew composition
At least 30% of the film’s crew is from the following underrepresented groups:
- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
To achieve Standard C, the film must meet BOTH criteria below:
C1. Paid apprenticeship and internship opportunities
The film’s distribution or financing company has paid apprenticeships or internships that are from the following underrepresented groups and satisfy the criteria below:
- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
The major studios/distributors are required to have substantive, ongoing paid apprenticeships/internships inclusive of underrepresented groups (must also include racial or ethnic groups) in most of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing, and publicity.
The mini-major or independent studios/distributors must have a minimum of two apprentices/interns from the above-underrepresented groups (at least one from an underrepresented racial or ethnic group) in at least one of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing, and publicity.
C2. Training opportunities and skills development (crew)
The film’s production, distribution and/or financing company offers training and/or work opportunities for below-the-line skill development to people from the following underrepresented groups:
- Women
- Racial or ethnic group
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
STANDARD D: AUDIENCE DEVELOPMENT
To achieve Standard D, the film must meet the criterion below:
D1. Representation in marketing, publicity, and distribution
The studio and/or film company has multiple in-house senior executives from among the following underrepresented groups (must include individuals from underrepresented racial or ethnic groups) on their marketing, publicity, and/or distribution teams.
Women
Racial or ethnic group:
- Asian
- Hispanic/Latinx
- Black/African American
- Indigenous/Native American/Alaskan Native
- Middle Eastern/North African
- Native Hawaiian or other Pacific Islander
- Other underrepresented race or ethnicity
- LGBTQ+
- People with cognitive or physical disabilities, or who are deaf or hard of hearing
All categories other than Best Picture will be held to their current eligibility requirements. Films in the specialty feature categories (Animated Feature Film, Documentary Feature, International Feature Film) submitted for Best Picture/General Entry consideration will be addressed separately.
The best thing we can all do is say "who cares" and go about our business. The subject deserves ZERO attention.
